Women Bathers and a Roll of Paper (1882-1885)

Study for ‘The Judgement of Paris’ or ‘The Amorous Shepherd’ (1883-1886)

Study of an Angel in Rubens’ ‘The Prophet Elijah’ (1892-1895)

Study of Desiderio da Settignano’s ‘Bust of a Child’ (1895)

Study of Puget’s ‘Hercules Resting’ (1879)

Study of Puget’s ‘Milo of Crotona’ (1880-1883)

Study of Puget’s ‘Milo of Crotona’ (1895-1898)

Study of the Allegorical Figure Bellona in Rubens’ ‘The Apotheosis of Henri IV’ II (1883-1886)

Study of the Allegorical Figure Bellona in Rubens’ ‘The Apotheosis of Henri IV’ (1879-1882)

Study of the Allegorical Figure France in Rubens’ ‘The Exchange of the Two Princesses’ (1882-1885)

Study of the Allegorical Figure of Health in Rubens’ ‘The Birth of Louis XIII’ (1880-1883)

Study of the Allegorical Figure of the Genius of Health from Rubens’ ‘The Birth of Louis XIII at Fontainbleau’ (1895-1898)

Study of the ‘Ecorché’ (1865-1870)

Study of ‘The Roman Orator ’ (1883-1886)

Study of ‘Venus de Milo’ (1881-1884)

Two Studies for ‘The Judgement of Paris’ or ‘The Amorous Shepherd’ (1883-1886)

Victor Chocquet and an Angel for ‘The Apotheosis of Delacroix’ (1878-1880)

Mont Sainte-Victoire Seen beyond the Wall of the Jas de Bouffan (1885-1888)

Flowers

View of a Bridge

Paysage (1879-1880)

Entrance to a Garden (1878-1880)

Head of Silenus (1855-1906)

Portrait of the Artist

Study of a tree (1887-90)

Autour De La Table (1870-77)

Paysage

Self-portrait

Study of Nudes Diving (1863-1866)

Portrait of Hortense Cézanne-Figuet, the Artist’s Wife (1881 - 1888)