Who Is Sylvia? What Is She That All the Swains Commend Her? (1896-1899)

Columbus in the New World (1906)

Figure Study of Ophelia, for The Play Scene, Hamlet, Act III, Scene II (1896-1897)

Richard, Duke of Gloucester, and the Lady Anne (1896)

‘Come hither, gracious sovereign, view this body’, King Henry VI, Part II, Act III, Scene II (1891)

Compositional Study, for Richard, Duke of Gloucester, and the Lady Anne (1895-1896)

Compositional Study, possibly for A Measure (1897-1904)

Compositional Study, possibly for The Merry Wives of Windsor (1871-1911)

Crusaders Sighting Jerusalem (1901)

Figure Study of a Knight (1871-1911)

Figure Study of Hamlet, for The Play Scene, Hamlet, Act III, Scene II (1896-1897)

Figure Study, for The Apotheosis of Pennsylvania, House of Representatives Chamber, Pennsylvania State Capitol, Harrisburg (1902-1911)

Figure Study, for The Spirit of Light, Rotunda, Pennsylvania State Capitol, Harrisburg (1902-8)

Figure Study, for The Spirit of Vulcan, Genius of the Workers in Iron and Steel, Rotunda, Pennsylvania State Capitol, Harrisburg (1902-1908)

Figure Study, possibly for Margaret and Faust (1892)

Figure Study (1871-1911)

Goneril and Regan, King Lear, Act I, Scene I (1902)

May Day Morning (1890-94)

Sir John Falstaff with His Page, King Henry IV, Part II, Act I, Scene II (1905)

Study for The Apotheosis of Pennsylvania, House of Representatives Chamber, Pennsylvania State Capitol, Harrisburg (1902-1911)

The King to the Prince of Wales; ‘Thou shalt have charge and sovereign trust herein,” King Henry IV, Part I, Act III, Scene II 1905

The Play Scene in Hamlet, Act III, Scene II (1897)

The Squire of Low Degree (1897)

Within the Tent of Brutus; Enter the Ghost of Caesar, Julius Caesar, Act IV, Scene III (1905)

Study for Amfortas Released by Galahad, in The Quest and Achievement of the Holy Grail (1893-1901)

The Three Marys (1906-1911)

With Pride Upon Her Brow (1878)

Architectural Study (1871-1911)

Architectural Study (1871-1911)

At the Cottage Door (1871-1911)