Figure Studies (1844)

Figures in Medieval Costume (1822-30)

Four Studies of Horses (1829-31)

Hamlet and Horatio in the Graveyard (1827-28)

Head of a Horse, after the Parthenon (1825)

Head, Shoulder, and Foot, Studies for ‘Scenes from the Chios Massacres’ (1823)

Interior of the Church of Valmont Abbey (1829-31)

Landscape with an Aqueduct (1827)

Seven Studies of Moroccan Men’s Costume (1832)

Sketchbook with views of Tours, France and its environs (1828-29)

Sketches of Figures and a Tile-Roofed Building, Seville, Spain (1832)

Standing nude athlete; seated man with a lyre; centaur; and seven putti (1798-1863)

Standing Woman in Moroccan Costume (1834)

Studies of a Fallen Male Nude for ‘Hercules and the Horses of Diomedes’ (1852)

Studies of a Goat (1798-1863)

Studies of a Horse in Profile (1823-30)

Studies of a Lion and a Female Nude (1844)

Studies of a Rearing Horse Attacked by a Lion and a Lion Wrestling with a Serpent (1830s)

Studies of allegorical figures, and architectural sketches (1833)

Studies of Animals (1810-63)

Studies of Arab Heads and Figures (1832)

Studies of Hands and Figures for the Salon du Roi, Palais Bourbon (1833-38)

Studies of Heads and Figures (1822-27)

Studies of Horses, Hands, and Feet (1822-27)

Studies of Horses

Studies of male heads and a standing male figure

Studies of the Virgin and Holy Women for ‘The Lamentation’ (1842-43)

Study for ‘The Sultan of Morocco and His Entourage’ (1832-33)

Study for ‘The Sultan of Morocco and His Entourage’ (1845)

Study for ‘The Sultan of Morocco and His Entourage’ (1855-56)