Sketches of Gothic architectural details (1861-1867)

Sketches of Gothic architectural details (1861-1867)

Sketches of Gothic architectural details (1861-1867)

Sketches of male nude for the painting ‘Martyrdom of St. Matthias’ (1866-1867)

Sketches of Mary Magdalene to the composition ‘Entombment’ (1850)

Sketches of medieval defensive structures and male figures with turbans (1861-1867)

Sketches of nude males in various poses (1850)

Sketches of nude males to the painting ‘Martyrdom of St. Matthias’ (1866-1867)

Sketches of Roman and Gothic architectural details and medieval armour (1861-1867)

Sketches of the heads of witnesses to the death of St. Matthias to the painting ‘Martyrdom of St. Matthias’ (1866-1867)

Sketches of two male nudes for the painting ‘Martyrdom of St. Matthias’ (1866-1867)

Sketches of two nude males (1842)

Sketches of two nude males (1842)

St. Casimir – drawing according to the engraving by Franciszek Wacław Balcewicz of 1749 (1856)

Studia fragmentów płaszcza i sukni Katarzyny Jagiellonki do obrazu ‘Katarzyna Jagiellonka w więzieniu w Gripsholmie’ (1858)

Studia hełmów husarskich i fragmentów karabeli (1860-1867)

Studia puttów do plafonu ‘Pochód weselny Amora i Psyche’ (1863)

Studia rąk Katarzyny Jagiellonki, księcia Jana Finlandzkiego i strażnika do obrazu ‘Katarzyna Jagiellonka w więzieniu w Gripsholmie’ (1858)

Studia ubioru postaci królewicza Zygmunta do obrazu ‘Katarzyna Jagiellonka w więzieniu w Gripsholmie’ (1858)

Studies for the painting ‘The Immaculate Conception of the Blessed Virgin Mary’ (1864)

Studies of angels for the painting ‘The Immaculate Conception of the Blessed Virgin Mary’ (1864)

Studies of background characters for the painting ‘Queen Jadwiga’s Oath’ (1867)

Studies of boys’ nudes to the ceiling ‘Wedding procession of Cupid and Psyche’ (1863)

Studies of clothing fragments of assailants to the painting ‘Martyrdom of St Josaphat Kuntsevych’ (1861)

Studies of David’s and Jacob’s hands for the painting ‘The Immaculate Conception of the Blessed Virgin Mary’ (1864)

Studies of feet of Nicodemus and Christ to the painting ‘Entombment’ (1850)

Studies of hands for the painting ‘The Immaculate Conception of the Blessed Virgin Mary’ (1864)

Studies of heads in helmets ‘Queen Jadwiga’s Oath’ (1867)

Studies of Jagiełło’s overcoat for the painting ‘Queen Jadwiga’s Oath’ (1867)

Studies of nude males to the painting ‘Martyrdom of St. Josaphat Kuntsevych’ (1861)