Nude studies of the Canon of Cracow, Piotr Wysz, and Jagiełło, and studies of hands of Jaśko of Tęczyn for the painting ‘Queen Jadwiga’s Oath’ (1867) - ユゼフ・ジムラー
Nude studies of the Canon of Cracow, Piotr Wysz, and Jagiełło, and studies of hands of Jaśko of Tęczyn for the painting ‘Queen Jadwiga’s Oath’ (1867) - ユゼフ・ジムラー
Nude studies of the Canon of Cracow, Piotr Wysz, and Jagiełło, and studies of hands of Jaśko of Tęczyn for the painting ‘Queen Jadwiga’s Oath’ (1867)
Nude Study for a Figure of an Italian in the Painting ‘The Upbringing of Sigismund Augustus’ (1861) - ユゼフ・ジムラー
Nude Study for a Figure of an Italian in the Painting ‘The Upbringing of Sigismund Augustus’ (1861) - ユゼフ・ジムラー
Nude Study for a Figure of an Italian in the Painting ‘The Upbringing of Sigismund Augustus’ (1861)
Nude study for the figure of Barbara in the painting ‘Death of Barbara Radziwiłł’ (1860) - ユゼフ・ジムラー
Nude study for the figure of Barbara in the painting ‘Death of Barbara Radziwiłł’ (1860) - ユゼフ・ジムラー
Nude study for the figure of Barbara in the painting ‘Death of Barbara Radziwiłł’ (1860)
Nude study for the figure of Mary in the painting ‘The Immaculate Conception of the Blessed Virgin Mary’ (1864) - ユゼフ・ジムラー
Nude study for the figure of Mary in the painting ‘The Immaculate Conception of the Blessed Virgin Mary’ (1864) - ユゼフ・ジムラー
Nude study for the figure of Mary in the painting ‘The Immaculate Conception of the Blessed Virgin Mary’ (1864)
Nude study for the figure of Moses in the painting ‘The Immaculate Conception of the Blessed Virgin Mary’ (1864) - ユゼフ・ジムラー
Nude study for the figure of Moses in the painting ‘The Immaculate Conception of the Blessed Virgin Mary’ (1864) - ユゼフ・ジムラー
Nude study for the figure of Moses in the painting ‘The Immaculate Conception of the Blessed Virgin Mary’ (1864)
Nude study for the figure of Patriarch Jacob in the painting ‘The Immaculate Conception of the Blessed Virgin Mary’ (1864) - ユゼフ・ジムラー
Nude study for the figure of Patriarch Jacob in the painting ‘The Immaculate Conception of the Blessed Virgin Mary’ (1864) - ユゼフ・ジムラー
Nude study for the figure of Patriarch Jacob in the painting ‘The Immaculate Conception of the Blessed Virgin Mary’ (1864)
Nude study for the figure of the Prophet Isaiah in the painting ‘The Immaculate Conception of the Blessed Virgin Mary’ (1864) - ユゼフ・ジムラー
Nude study for the figure of the Prophet Isaiah in the painting ‘The Immaculate Conception of the Blessed Virgin Mary’ (1864) - ユゼフ・ジムラー
Nude study for the figure of the Prophet Isaiah in the painting ‘The Immaculate Conception of the Blessed Virgin Mary’ (1864)
Nude study of guardian to the painting ‘Katarzyna Jagiellonka in Gripsholm Prison’ (1858) - ユゼフ・ジムラー
Nude study of guardian to the painting ‘Katarzyna Jagiellonka in Gripsholm Prison’ (1858) - ユゼフ・ジムラー
Nude study of guardian to the painting ‘Katarzyna Jagiellonka in Gripsholm Prison’ (1858)
Nude study of prince for the painting ‘The Upbringing of Sigismund Augustus’ (1861) - ユゼフ・ジムラー
Nude study of prince for the painting ‘The Upbringing of Sigismund Augustus’ (1861) - ユゼフ・ジムラー
Nude study of prince for the painting ‘The Upbringing of Sigismund Augustus’ (1861)
Nude study of prince for the painting ‘The Upbringing of Sigismund Augustus’ (1861) - ユゼフ・ジムラー
Nude study of prince for the painting ‘The Upbringing of Sigismund Augustus’ (1861) - ユゼフ・ジムラー
Nude study of prince for the painting ‘The Upbringing of Sigismund Augustus’ (1861)
Nude study of Queen Bona for the painting ‘The Upbringing of Sigismund Augustus’ (1861) - ユゼフ・ジムラー
Nude study of Queen Bona for the painting ‘The Upbringing of Sigismund Augustus’ (1861) - ユゼフ・ジムラー
Nude study of Queen Bona for the painting ‘The Upbringing of Sigismund Augustus’ (1861)
Nude study to the figure of St. Matthias to the painting ‘Martyrdom of St. Matthias’ (1866-1867) - ユゼフ・ジムラー
Nude study to the figure of St. Matthias to the painting ‘Martyrdom of St. Matthias’ (1866-1867) - ユゼフ・ジムラー
Nude study to the figure of St. Matthias to the painting ‘Martyrdom of St. Matthias’ (1866-1867)
Portrait of Franciszka Wołowska, Sister of Feliks Jasieński’s Mother (1853) - ユゼフ・ジムラー
Portrait of Franciszka Wołowska, Sister of Feliks Jasieński’s Mother (1853) - ユゼフ・ジムラー
Portrait of Franciszka Wołowska, Sister of Feliks Jasieński’s Mother (1853)
Portrait of Franciszka Wołowska, sister of the mother of Feliks Jasieński (1853) - ユゼフ・ジムラー
Portrait of Franciszka Wołowska, sister of the mother of Feliks Jasieński (1853) - ユゼフ・ジムラー
Portrait of Franciszka Wołowska, sister of the mother of Feliks Jasieński (1853)
Portrait study of Jadwiga Łuszczewska – Deotyma (1855) - ユゼフ・ジムラー
Portrait study of Jadwiga Łuszczewska – Deotyma (1855) - ユゼフ・ジムラー
Portrait study of Jadwiga Łuszczewska – Deotyma (1855)
Projekt winiety dla wydawnicwtwa (1858) - ユゼフ・ジムラー
Projekt winiety dla wydawnicwtwa (1858) - ユゼフ・ジムラー
Projekt winiety dla wydawnicwtwa (1858)
Przerys szkicu kompozycyjnego do obrazu ‘Szaleństwo króla Eryka’ (1860) - ユゼフ・ジムラー
Przerys szkicu kompozycyjnego do obrazu ‘Szaleństwo króla Eryka’ (1860) - ユゼフ・ジムラー
Przerys szkicu kompozycyjnego do obrazu ‘Szaleństwo króla Eryka’ (1860)
Road in the woods (1846) - ユゼフ・ジムラー
Rozmowa Chrystusa z Nikodemem (1862) - ユゼフ・ジムラー
Rozmowa Chrystusa z Nikodemem (1862) - ユゼフ・ジムラー
Rozmowa Chrystusa z Nikodemem (1862)
Sketch for the painting ‘Farewell to Wacław with Maria’ (1847) - ユゼフ・ジムラー
Sketch for the painting ‘Farewell to Wacław with Maria’ (1847) - ユゼフ・ジムラー
Sketch for the painting ‘Farewell to Wacław with Maria’ (1847)
Sketch of a nude female (1842) - ユゼフ・ジムラー
Sketch of a nude female (1842) - ユゼフ・ジムラー
Sketch of a nude female (1842)
Sketch of a nude male (1842) - ユゼフ・ジムラー
Sketch of a nude male (1842) - ユゼフ・ジムラー
Sketch of a nude male (1842)
Sketch of angel for the painting ‘The Immaculate Conception’ (1864) - ユゼフ・ジムラー
Sketch of angel for the painting ‘The Immaculate Conception’ (1864) - ユゼフ・ジムラー
Sketch of angel for the painting ‘The Immaculate Conception’ (1864)
Sketch of Catherine Jagiellon with son Sigismund and John, Grand Duke of Finland, to the painting ‘Catherine Jagiellon in Gripsholm Prison’ (1858) - ユゼフ・ジムラー
Sketch of Catherine Jagiellon with son Sigismund and John, Grand Duke of Finland, to the painting ‘Catherine Jagiellon in Gripsholm Prison’ (1858) - ユゼフ・ジムラー
Sketch of Catherine Jagiellon with son Sigismund and John, Grand Duke of Finland, to the painting ‘Catherine Jagiellon in Gripsholm Prison’ (1858)
Sketch of crucifix for the painting ‘Queen Jadwiga’s Oath’ (1867) - ユゼフ・ジムラー
Sketch of crucifix for the painting ‘Queen Jadwiga’s Oath’ (1867) - ユゼフ・ジムラー
Sketch of crucifix for the painting ‘Queen Jadwiga’s Oath’ (1867)
Sketch of head and studies of hands of Gniewosz of Dalewice; studies of Jagiełło’s hands for the painting ‘Queen Jadwiga’s Oath’ (1867) - ユゼフ・ジムラー
Sketch of head and studies of hands of Gniewosz of Dalewice; studies of Jagiełło’s hands for the painting ‘Queen Jadwiga’s Oath’ (1867) - ユゼフ・ジムラー
Sketch of head and studies of hands of Gniewosz of Dalewice; studies of Jagiełło’s hands for the painting ‘Queen Jadwiga’s Oath’ (1867)
Sketch of limestone outliers (1860) - ユゼフ・ジムラー
Sketch of limestone outliers (1860) - ユゼフ・ジムラー
Sketch of limestone outliers (1860)
Sketch of nude male to the painting ‘Martyrdom of St. Matthias’ (1866-1867) - ユゼフ・ジムラー
Sketch of nude male to the painting ‘Martyrdom of St. Matthias’ (1866-1867) - ユゼフ・ジムラー
Sketch of nude male to the painting ‘Martyrdom of St. Matthias’ (1866-1867)
Sketch of nude men to the scene with Nicodemus and Joseph of Arimathea supporting the dead body of Christ to the painting ‘Entombment’ (1850) - ユゼフ・ジムラー
Sketch of nude men to the scene with Nicodemus and Joseph of Arimathea supporting the dead body of Christ to the painting ‘Entombment’ (1850) - ユゼフ・ジムラー
Sketch of nude men to the scene with Nicodemus and Joseph of Arimathea supporting the dead body of Christ to the painting ‘Entombment’ (1850)
Sketch of the composition ‘Martyrdom of St. Stanislaus’ (1860) - ユゼフ・ジムラー
Sketch of the composition ‘Martyrdom of St. Stanislaus’ (1860) - ユゼフ・ジムラー
Sketch of the composition ‘Martyrdom of St. Stanislaus’ (1860)





























































