Design of a Vignette for a Publishing House (1858) - ユゼフ・ジムラー
Design of a Vignette for a Publishing House (1858) - ユゼフ・ジムラー
Design of a Vignette for a Publishing House (1858)
Drapery studies (1866-1867) - ユゼフ・ジムラー
Drapery studies (1866-1867) - ユゼフ・ジムラー
Drapery studies (1866-1867)
Drapery study to the figure of Our Lady of the Rosary (1864) - ユゼフ・ジムラー
Drapery study to the figure of Our Lady of the Rosary (1864) - ユゼフ・ジムラー
Drapery study to the figure of Our Lady of the Rosary (1864)
Female head, sculpture study (1839) - ユゼフ・ジムラー
Female head, sculpture study (1839) - ユゼフ・ジムラー
Female head, sculpture study (1839)
Female nude study (1840) - ユゼフ・ジムラー
Fragment of composition with the prince figure and the ladies gathered around him, for the painting ‘The Upbringing of Sigismund Augustus’ (1861) - ユゼフ・ジムラー
Fragment of composition with the prince figure and the ladies gathered around him, for the painting ‘The Upbringing of Sigismund Augustus’ (1861) - ユゼフ・ジムラー
Fragment of composition with the prince figure and the ladies gathered around him, for the painting ‘The Upbringing of Sigismund Augustus’ (1861)
Fragment of the interior of St. Mark’s Church in Venice (1856) - ユゼフ・ジムラー
Fragment of the interior of St. Mark’s Church in Venice (1856) - ユゼフ・ジムラー
Fragment of the interior of St. Mark’s Church in Venice (1856)
Half-length figure of a boy in profile to the left (1860) - ユゼフ・ジムラー
Half-length figure of a boy in profile to the left (1860) - ユゼフ・ジムラー
Half-length figure of a boy in profile to the left (1860)
Half-length figure of young man in a hat (1866-1867) - ユゼフ・ジムラー
Half-length figure of young man in a hat (1866-1867) - ユゼフ・ジムラー
Half-length figure of young man in a hat (1866-1867)
Hand study (1842) - ユゼフ・ジムラー
Interior of the Gothic hall (1861-1867) - ユゼフ・ジムラー
Interior of the Gothic hall (1861-1867) - ユゼフ・ジムラー
Interior of the Gothic hall (1861-1867)
Koncert renesansowy (1857) - ユゼフ・ジムラー
Landscape sketch from the Ogrodzieniec area (1860) - ユゼフ・ジムラー
Landscape sketch from the Ogrodzieniec area (1860) - ユゼフ・ジムラー
Landscape sketch from the Ogrodzieniec area (1860)
Man resting on a bed (1846) - ユゼフ・ジムラー
Man resting on a bed (1846) - ユゼフ・ジムラー
Man resting on a bed (1846)
Mountain landscape (1856) - ユゼフ・ジムラー
Mountain landscape (1856) - ユゼフ・ジムラー
Nude male study to the painting ‘King David playing the harp’ (1855) - ユゼフ・ジムラー
Nude male study to the painting ‘King David playing the harp’ (1855) - ユゼフ・ジムラー
Nude male study to the painting ‘King David playing the harp’ (1855)
Nude sketch and study of the head in a turban for the figure of Joseph of Arimathea to the painting ‘Entombment’ (1850) - ユゼフ・ジムラー
Nude sketch and study of the head in a turban for the figure of Joseph of Arimathea to the painting ‘Entombment’ (1850) - ユゼフ・ジムラー
Nude sketch and study of the head in a turban for the figure of Joseph of Arimathea to the painting ‘Entombment’ (1850)
Nude sketch to the assailant to the painting ‘Martyrdom of St. Matthias’ (1866-1867) - ユゼフ・ジムラー
Nude sketch to the assailant to the painting ‘Martyrdom of St. Matthias’ (1866-1867) - ユゼフ・ジムラー
Nude sketch to the assailant to the painting ‘Martyrdom of St. Matthias’ (1866-1867)
Nude sketch to the assailant to the painting ‘Martyrdom of St. Matthias’ (1866-1867) - ユゼフ・ジムラー
Nude sketch to the assailant to the painting ‘Martyrdom of St. Matthias’ (1866-1867) - ユゼフ・ジムラー
Nude sketch to the assailant to the painting ‘Martyrdom of St. Matthias’ (1866-1867)
Nude sketch to the executioner with an axe and a stone to the painting ‘Martyrdom of St. Matthias’ (1866-1867) - ユゼフ・ジムラー
Nude sketch to the executioner with an axe and a stone to the painting ‘Martyrdom of St. Matthias’ (1866-1867) - ユゼフ・ジムラー
Nude sketch to the executioner with an axe and a stone to the painting ‘Martyrdom of St. Matthias’ (1866-1867)
Nude sketch to the executioner with an axe to the painting ‘Martyrdom of St. Matthias’ (1866-1867) - ユゼフ・ジムラー
Nude sketch to the executioner with an axe to the painting ‘Martyrdom of St. Matthias’ (1866-1867) - ユゼフ・ジムラー
Nude sketch to the executioner with an axe to the painting ‘Martyrdom of St. Matthias’ (1866-1867)
Nude sketch to the figure of St. Matthias to the painting ‘Martyrdom of St. Matthias’ (1866-1867) - ユゼフ・ジムラー
Nude sketch to the figure of St. Matthias to the painting ‘Martyrdom of St. Matthias’ (1866-1867) - ユゼフ・ジムラー
Nude sketch to the figure of St. Matthias to the painting ‘Martyrdom of St. Matthias’ (1866-1867)
Nude sketch to the figure of St. Matthias to the painting ‘Martyrdom of St. Matthias’ (1866-1867) - ユゼフ・ジムラー
Nude sketch to the figure of St. Matthias to the painting ‘Martyrdom of St. Matthias’ (1866-1867) - ユゼフ・ジムラー
Nude sketch to the figure of St. Matthias to the painting ‘Martyrdom of St. Matthias’ (1866-1867)
Nude sketch to the figure of St. Matthias to the painting ‘Martyrdom of St. Matthias’ (1866-1867) - ユゼフ・ジムラー
Nude sketch to the figure of St. Matthias to the painting ‘Martyrdom of St. Matthias’ (1866-1867) - ユゼフ・ジムラー
Nude sketch to the figure of St. Matthias to the painting ‘Martyrdom of St. Matthias’ (1866-1867)
Nude sketch to the high priest to the painting ‘Martyrdom of St. Matthias’ (1866-1867) - ユゼフ・ジムラー
Nude sketch to the high priest to the painting ‘Martyrdom of St. Matthias’ (1866-1867) - ユゼフ・ジムラー
Nude sketch to the high priest to the painting ‘Martyrdom of St. Matthias’ (1866-1867)
Nude sketches of the figure of King Sigismund I and Hetman Tarnowski in the painting ‘The Upbringing of Sigismund Augustus’ (1861) - ユゼフ・ジムラー
Nude sketches of the figure of King Sigismund I and Hetman Tarnowski in the painting ‘The Upbringing of Sigismund Augustus’ (1861) - ユゼフ・ジムラー
Nude sketches of the figure of King Sigismund I and Hetman Tarnowski in the painting ‘The Upbringing of Sigismund Augustus’ (1861)
Nude studies for the figures of David and Pius IX in the painting ‘The Immaculate Conception of the Blessed Virgin Mary’ (1864) - ユゼフ・ジムラー
Nude studies for the figures of David and Pius IX in the painting ‘The Immaculate Conception of the Blessed Virgin Mary’ (1864) - ユゼフ・ジムラー
Nude studies for the figures of David and Pius IX in the painting ‘The Immaculate Conception of the Blessed Virgin Mary’ (1864)
Nude studies for the figures of Jaśko of Tęczyn and the man standing behind him for the painting ‘Queen Jadwiga’s Oath’ (1867) - ユゼフ・ジムラー
Nude studies for the figures of Jaśko of Tęczyn and the man standing behind him for the painting ‘Queen Jadwiga’s Oath’ (1867) - ユゼフ・ジムラー
Nude studies for the figures of Jaśko of Tęczyn and the man standing behind him for the painting ‘Queen Jadwiga’s Oath’ (1867)
Nude studies of boys for the figures of angels in the painting ‘The Immaculate Conception of the Blessed Virgin Mary’ (1864) - ユゼフ・ジムラー
Nude studies of boys for the figures of angels in the painting ‘The Immaculate Conception of the Blessed Virgin Mary’ (1864) - ユゼフ・ジムラー
Nude studies of boys for the figures of angels in the painting ‘The Immaculate Conception of the Blessed Virgin Mary’ (1864)