A Lioness and a Caricature of Ingres (1850s)

A Marriage Procession in Sixteenth Century Dress; a Cavalier; and a Trophy of Arms (1798-1863)

A Tomb and Studies of Windows in the Church of Valmont Abbey (1829-31)

Adoration of the Magi, after Rubens (1830)

Arch of Morning Glories, Study for ‘A Basket of Flowers’ (1848-49)

Battle Scene with a Prisoner Being Bound, after Raphael (1823)

Combat of Nude Men, after Raphael (1823)

Courtyard with a Fountain (1832)

Crouching Tiger (1839)

Écorché; Three Studies of a Male Cadaver

Fallen Warriors and a Runaway Horse (1862)

Figure in a Doorway (1832)

Figure Studies after Rubens’s ‘Fall of the Rebel Angels’ (1820-22)

Figure Studies for the Salon du Roi, Palais Bourbon (1833-35)

Figure Studies related to ‘Liberty Leading the People’ (1830)

Figure Studies (1844)

Figures in Medieval Costume (1822-30)

Four Studies of Horses (1829-31)

Hamlet and Horatio in the Graveyard (1827-28)

Head of a Horse, after the Parthenon (1825)

Head, Shoulder, and Foot, Studies for ‘Scenes from the Chios Massacres’ (1823)

Interior of the Church of Valmont Abbey (1829-31)

Landscape with an Aqueduct (1827)

Seven Studies of Moroccan Men’s Costume (1832)

Sketchbook with views of Tours, France and its environs (1828-29)

Sketches of Figures and a Tile-Roofed Building, Seville, Spain (1832)

Standing nude athlete; seated man with a lyre; centaur; and seven putti (1798-1863)

Standing Woman in Moroccan Costume (1834)

Studies of a Fallen Male Nude for ‘Hercules and the Horses of Diomedes’ (1852)

Studies of a Goat (1798-1863)